I haven’t read any Rupert Sheldrake this century – but only because I always lend away my best books (and get them back, rather less-than always). He theorizes right at the edge of what I can ‘buy’ critically – one might think
I haven’t read any Rupert Sheldrake this century – but only because I always lend away my best books (and get them back, rather less-than always). He theorizes right at the edge of what I can ‘buy’ critically – one might think
The thing I love most about any good strong argument, is how fast you can learn, when you encounter one that displaces your old, less useful and/or valid ideas. Knowledge-turnover, like soil-aeration, is non-optional if you want to get a good fresh
I recently mentioned my curiosity about the differences between spray and line street-artists, and as soon as I self-sensitized that way, I noticed a couple. Not only is this (one-liner?) a real stylistic treat, for it’s minimal aspect and very immediate energy,
Context really is everything – there’s not much that’s more dull and common than a dirty puddle – and while wrought-iron fire-escapes do have visual appeal and even artistic significance (from the Ashcan school through Hopper and onward), we really don’t often